Rape and revenge film

Rape and revenge films (aka rape/revenge, rape-revenge) are a subgenre of exploitation film that was particularly popular in the 1970s. Rape/revenge movies generally follow the same three act structure:

In some cases, the woman is killed at the end of the first act, and the "revenge" is carried out by her family, as in The Virgin Spring and the original The Last House on the Left, which was inspired by the former movie. The Virgin Spring is particularly notable as being arguably the first in the genre as well as being directed by Ingmar Bergman.

In 2006, Rogue Pictures finalized a deal to remake The Last House on the Left. Wes Craven (writer and producer of the original film) produced the remake, starring Tony Goldwyn and Monica Potter. The 2009 film Run! Bitch Run! is set in the late 1970’s. In 2010, the controversial film I Spit on Your Grave was remade starring Sarah Butler and Chad Lindberg. It was released worldwide on Halloween by CineTel Films.

In Gaspar Noé's 2002 film Irréversible, the structure was reversed, with the first act depicting the revenge before tracing back the events which led to that point. Roger Ebert argues that by using this structure, as well as a false revenge, Irréversible cannot be classified as an exploitation film, as no exploitation of the subject matter takes place.[1]

The genre has attracted critical attention.[2][3][4][5] Much of this critical attention comes from feminist critics examining the complex politics involved in the genre and its impact on cinema more generally. More recently, a broad analysis of the rape-revenge genre and concept was published in Rape-Revenge Films: A Critical Study, by Alexandra Heller-Nicholas. The book argues against a simplistic notion of the term 'rape-revenge' and suggests a film-specific approach in order to avoid generalizing films which may "diverge not over the treatment of sexual assault as much as they do in regards to the morality of the revenge act."[6]

In addition to U.S. and French films, rape/revenge films have been made in Japan (e.g., Takashi Ishii's Freeze Me), Finland,[7][8], Russia, Argentina (e.g., "I'll Never Die Alone" (2008)(original title - No Moriré Sola), and Norway (e.g., "The Whore" (2009)(original title - Hora).

Examples in film

See also

References

  1. ^ Ebert, Roger. "Irreversible :: rogerebert.com :: Reviews". Rogerebert.suntimes.com. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20030314/REVIEWS/303140303/1023. Retrieved 2010-01-25. 
  2. ^ Clover, Carol J. 1992 Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton, NJ: Princeton University Press. ISBN 0691006202.
  3. ^ Creed, B. 1993 The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York, NY: Routledge. ISBN 0415052599.
  4. ^ King, Claire Sisco 2003. "Review of Thelma & Louise by Marita Sturken and of The New Avengers: Feminism, Femininity, and the Rape-Revenge Cycle by Jacinda Read." http://www.scope.nottingham.ac.uk/bookreview.php?issue=aug2003&id=437&section=book_rev (retrieved October 6, 2007)
  5. ^ Read, Jacinda 2000. The New Avengers: Feminism, Femininity, and the Rape-Revenge Cycle. Manchester, UK and New York: Manchester University Press. ISBN 0-7190-5905-4.
  6. ^ Heller-Nicholas, Alexandra (2011). [www.rape-revenge.com Rape-Revenge Film: A Critical Study]. New York: McFarland. pp. 230. ISBN 978-0-7864-4961-3. www.rape-revenge.com. 
  7. ^ Makela, Anna (no date). Political rape, private revenge. The story of sexual violence in Finnish Film and Television
  8. ^ "(viewed as HTML. Retrieved October 6, 2007". Google.com. http://www.google.com/search?q=cache:0Vk_2922Is0J:media.utu.fi/emy/AnnaMakela.rtf+rape-revenge&hl=en&ct=clnk&cd=101&gl=us. Retrieved 2010-01-25.